In 2019, Sullivan and Stacy begun collaborating with Svenskt Tenn interior designer Julia Prytz, who had under no circumstances orchestrated this kind of a robust ode to the brand name ahead of. “We typically blend our items with other people that the shoppers now have, but this was an vacant dwelling, so it was an strange but great possibility for me,” claims Prytz. “These hard-performing ladies have a Scandinavian sensibility, and they just fell in love with anything they observed at Svenskt Tenn.”
As Stacy gravitates toward brilliant maximalist tones and Sullivan’s model skews midcentury modern day, the models could aid them marry their two aesthetics. With this in mind, Prytz embraced Svenskt Tenn’s philosophy of layering many styles, shades, and materials to conjure “European magnificence, warmth, and a homey essence,” as she puts it.
The creative procedure initially unfolded above online video phone calls in between Prytz, Stacy, and Sullivan. “Julia is a brilliant designer and had an fast knowledge of our preferences and what we needed to do. She knows all the colour mixtures in her head and began to sketch,” Sullivan recollects. (Hanna Lundborg, who no longer operates at Svenskt Tenn but managed all of the project’s several particulars, was also indispensable, Sullivan stresses.)
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Then, Prytz, armed with samples and temper boards, flew in from Sweden to see the rooms up close just before Sullivan and Stacy returned to an progressively common Stockholm to “test each couch and stool,” Sullivan claims. “We had been permitted to remain right after closing time and it was like staying in a museum at night, on your own with anything so exquisitely organized.” Prytz also took them to see home furniture from other Swedish manufacturers, like Asplund and Källemo, to bolster the normally comprehensive-on Svenskt Tenn interiors.
A handful of months later, the bevy of transported products was installed less than Prytz’s supervision. She fondly remembers Stacy and Sullivan’s reactions to each and every of the goods as they were lifted from crates: “Every piece that came out they liked. It was a quite satisfied approach,” she claims.
Svenskt Tenn furnishings and textiles, Sullivan notes, ended up originally developed for individuals contending with dark, brooding winters. The exuberant palette “was a welcome source of uplift.” But even in sunny southern California, Sullivan and Stacy enjoy its nuances, this kind of as the environmentally friendly pillows on the protected veranda that mimic the surrounding grass. “We wake up each individual day,” claims Sullivan, “full of pleasure at the splendor of our house.”